Today, The Quiet Pond is incredibly honoured and excited to share with you the exclusive cover reveal for A Clash of Steel, a remix of the beloved classic Treasure Island, by C.B. Lee!Read More »
Created by New York Times bestselling authors Emily X. R. Pan and Nova Ren Suma, Foreshadow is so much more than a short story collection. A trove of unforgettable fiction makes up the beating heart of this book, and the accompanying essays offer an ode to young adult literature, as well as practical advice to writers.
Featured in print for the first time, the thirteen stories anthologized here were originally released via the buzzed-about online platform Foreshadow. Ranging from contemporary romance to mind-bending fantasy, the Foreshadow stories showcase underrepresented voices and highlight the beauty and power of YA fiction. Each piece is selected and introduced by a YA luminary, among them Gayle Forman, Laurie Halse Anderson, Jason Reynolds, and Sabaa Tahir.
What makes these memorable stories tick? What sparked them? How do authors build a world or refine a voice or weave in that deliciously creepy atmosphere to bring their writing to the next level? Addressing these questions and many more are essays and discussions on craft and process by Nova Ren Suma and Emily X. R. Pan.
This unique compilation reveals and celebrates the magic of reading and writing for young adults.
FORESHADOW, when it was first announced, was a limited-run publishing project spearheaded by Emily X.R. Pan and Nova Ren Suma. It featured short YA stories across a variety of genres, with monthly issues releasing throughout the entire year of 2019. Each issue had three stories—titled after a single phrase, “foreshadowing” the story that was to come—one of which would also be penned by a new writer, voices hand-selected by renowned authors such as Sabaa Tahir and Nicola Yoon.
Today, the thirteen handpicked stories are published in a wonderful anthology that I have the privilege of introducing here on the blog today after reading an early copy. And friends, friends, please trust me when I say this, and know that I do not mean it lightly: this anthology is everything I crave in a book, and it contains the best short YA fiction I have ever read in my entire life.Read More »
Just over a little more than a year ago, I had the delight of reading The Dragon Warrior. I have a very fond memory of sitting in bed in my hotel room during a work trip, feeling alone and only having the company of my ARC copy of The Dragon Warrior by Katie Zhao. And when I read Katie’s middle-grade debut, about a young Asian girl who was The Chosen One and wielded the power of dragons and went on this incredible adventure – I didn’t feel alone anymore; I felt excited, empowered, and like I had gone on an incredible journey.Read More »
Last year, I had the absolute delight of being given an ARC of Caster by Elsie Chapman – an exciting dystopian-fantasy where magic – or ‘casting’ – comes with a cost, and is often at the expense of the magic-caster’s body. I enjoyed Caster, and eagerly anticipated the sequel.Read More »
Our Friend is Here! is a guest feature at The Quiet Pond, where authors, creatives, and fellow readers, are invited to ‘visit’ the Pond! In Our Friend is Here! guest posts, our visitors (as their very own unique character!) have a friendly conversation about anything related to books or being a reader — and become friends with Xiaolong and friends.
Asian Heritage Month Edition is a month-long event at The Quiet Pond, where Asian authors and bookish content creators are invited to celebrate being Asian, Asian books, and the experiences of being an Asian reader. (Note: Here is an explanation of why we are calling this guest series ‘Asian Heritage Month’.)
There have been discussions about ‘windows,’ ‘mirrors’, and ‘sliding glass doors’ in literature; ‘windows’ provide a view to another world – whether real or imagined, and ‘sliding doors’ allows readers to walk through and enter another world, and another experience, which can shape the way we see ourselves and others. For a lot of marginalised readers, windows and sliding doors are abundant, but mirrors – a book or text that reflects an experience back at us, allowing us to see ourselves in a story – are a little more difficult to find — or may not even exist at all.